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The conductor Christoph Eschenbach is a rare specimen: an
experienced elder-statesman of the orchestral world who is
looking only to the future. 'In my old age', he commented
with a degree of irony in an interview with Andrew Clark of
the Financial Times, 'I feel very young. If I settled, I would
be unhappy...I'm not interested in looking back.'
That was in 2002 as Eschenbach was preparing to take the reins
of one of America's most prestigious institutions, the Philadelphia
Orchestra - and in truth, he's hardly looked back at all.
He has fed the notoriously conservative Philadelphia audience
with a diet of world premières and huge, profound masterworks
from Mahler and Schoenberg. Did the audience run a mile? No
- it clasped Eschenbach to its bosom. His opening speech as
Principal Conductor at Philadelphia - 'I want to raise the
invisible curtain between stage and audience' - proved a prophecy.
How does a conductor manage such a galvanising act? It's clear
not only from interviews and profiles but also from Eschenbach's
work on the concert platform and on record, that he's a born
communicator. It's also apparent why he might not want to
look back: an orphan who witnessed the death of his guardian
grandmother at the age of five, and in the unbearable and
unspeakable pain of this suffering (the young Christoph didn't
speak for a year) turned to music to express himself.
Now Eschenbach's passion is the progression of music: its
creation and its performance. 'I don't much like this word
classical', he commented to Andrew Clark, 'I don't
even know what it means!' He has championed the music of Matthias
Pintscher and other living composers, whilst one striking
act of retrospection - that to the masterworks of his native
Austro-Germany - has remained constant. This is where Eschenbach
shines - showering his creative, contemporary vision on great,
lasting masterpieces, whether written last week, last year,
last decade or last century.
Dates with Christoph Eschenbach
during 2007/08
Wednesday 28 November 2008 Beethoven,
Mahler
Saturday 1 December 2007 Pintscher,
Beethoven
Sunday 13 April 2008 Schubert,
Mahler
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