The latest reviews of our concerts and recordings
- Published: 05 November 2013
'Kaleidoscopic in terms of its colour, exhilarating in its energy and captivating in its lyricism. This excellent performance under Vladimir Jurowski, superbly recorded with optimum impact and clarity, is to be treasured.'
Colin Anderson, Classical Source, 27 October 2013
November 2013's release on the LPO Label is an album of orchestral works by the Orchestra's Composer in Residence, Julian Anderson. Here are the press reviews so far...
- Published: 04 November 2013
'Tzimon Barto handled every challenge the score threw at him. Occasionally he played with his fists or his forearms, but it was the extraordinary nimbleness of his fingers that got him round the most complex passages. Hardly less impressive were John Ryan's impossibly intricate horn solos...'
Nick Kimberley, Evening Standard, 4 November 2013
On Saturday 2 November 2013 at Royal Festival Hall, Christoph Eschenbach conducted the London Philharmonic Orchestra in Messiaen's Des canyons aux étoiles (From the Canyons to the Stars), with soloists John Ryan (horn), Tzimon Barto (piano), Andrew Barclay (percussion) and Erika Öhman (percussion). Here are the press reviews ...
- Published: 30 October 2013
'This was an astounding concert in every respect, the fitting climax to an anything-goes benchmark week in the life of The Rest is Noise festival ... How hard and tirelessly the LPO, brass especially, worked to terrorize and humour us. The theatrics of Jurowski senior may have been deadpan – hands in pockets when the baton wasn't needed – but you see where his son gets his absolutely clear and definitive beat from, every entry elegantly cued, and he shaped the multipart string slow movement towards a shattering climax and back ... I've never been more gripped than by Moser's performance of the concerto. He played mercurially around the inexorable tocking of Lutosławski's crazy opening solo, gesturing towards his orchestral colleagues, and acted out our astonishment at the trumpet interruptions (this was principal LPO trumpeter Paul Beniston's night, too).'
David Nice, The Arts Desk, 31 October 2013
On 30 October 2013, the London Philharmonic Orchestra, under conductor Michail Jurowski, performed music by Ligeti, Lutoslawski and Schnittke with cellist Johannes Moser. Here are the press reviews ...
- Published: 29 October 2013
'Yannick Nézet-Séguin perfectly captures the yearning for lost youth and resigned acceptance of mortality that pervades Mahler's masterpiece.'
Hugh Canning, The Sunday Times, 29 September 2013
- Published: 28 October 2013
'[Yannick Nézet-Séguin's] strengths in the French repertoire and choral music made him the perfect conductor for an evening of music by Dutilleux and Shostakovich, whose Tout un monde lointain and Symphony No. 13 provided an evening of fantastic music and music-making.' (5 stars)
Renée Reitsma, Bachtrack, 29 October 2013
On Saturday 26 October, the London Philharmonic Orchestra Royal Festival Hall season continued with a concert of works by Dutilleux and Shostakovich under Principal Guest Conductor Yannick Nézet-Séguin with soloists Jean-Guihen Queyras, Mikhail Petrenko and the London Philharmonic Choir. Here are the press reviews ...
- Published: 28 October 2013
The Rest Is Noise: The Sacred and the Satirical
Richard Lane, 23 October 2013
Great to be back at Southbank Centre to experience more sounds from 'The Rest Is Noise' year-long celebration of all things musical in the 20th century. The festival seems to have reached its midpoint, as the music from Francis Poulenc and Serge Prokoviev was all composed around 1950 – but what a contrast in compositions were on show at Royal Festival Hall on 23 October.
- Published: 24 October 2013
'Yannick Nézet-Séguin [was] alive to the solemn and dramatic aspects of Poulenc's setting, its radiance, jauntiness, pealing vitality and ritual dance. The London Philharmonic Choir was splendid, singing with strength, sensitivity and devotion, the LPO also contributing much under Yannick Nézet-Séguin's demonstrative conducting.'
Colin Anderson, Classical Source, 24 October 2013